Monday, January 23, 2012

Photography for Non-Photographers: Part 2

Understanding Your Camera
By Peter Emmett © 2012

In part 1 of this series we started looking at the basic controls of the camera in order to start your relationship with your camera.  This part we look at how the shutter button can make a huge difference in your images and the different type of auto focus system that cameras employ.

Using the Shutter Button - What They Didn’t Tell You

The shutter button is the single most important part of a camera.  Now that may sound like a weird statement, but without a mechanism for triggering the camera to take the shot, no photo would be possible.  If that’s all it does, then why spend time on it here right at the beginning of the series?
The shutter button not only helps you take the photo, but by learning how to use the shutter button properly, it also provides you with a way to immediately start taking better photos.  It may sound a little strange talking about the shutter button like this, but after you learn to simply press the shutter button half way before taking the photo, it’s amazing how much more you can do with you camera.
 

So what does pressing the shutter button half way do exactly?  If you’ve ever been frustrated by your camera always missing the shot of your child diving into a pool or running past the finish line in a race then you’ll have experienced something called shutter lag. Shutter lag is the time delay between pressing the shutter button and the camera recording the shot. The amount of shutter lag you experience will depend on the camera you have.  However you can improve or minimize the shutter lag without spending thousands of dollars on the newest camera. How? By learning to press the shutter button half way before taking the shot.
 

Simply put pressing the shutter button half way before taking a photo, forces the camera to prepare itself for taking the photo and severely decreases shutter lag.  When you press the button to take a picture, the camera has to calculate a lot of different things (especially if you’re in Auto mode).  Depending on how powerful the camera’s internal computing power is will affect how long the camera takes to make all the necessary adjustments and calculations which causes the delay between pressing the shutter button and taking the photo.  This delay is often the reason people think that they need a DSLR or more powerful camera.
 

By pressing the shutter button half way the camera prepares itself to take a photo by making all the necessary adjustments and calculations so that when you fully press the shutter button all the camera has to do is record the photo without having to think about anything else, which can almost eliminate shutter lag.
 

To illustrate my point I took these photos of cars driving past my office building at roughly the same speed.  They reveal the difference between taking a shot without preparing the camera and preparing the camera by pressing the shutter button half way before taking the shot.

The shots were taken when the car reached the middle of the picture, illustrated by the red square.  When fully pressing the shutter button to take the shot, the cars have nearly exited the right side of the photo.  



Typical photos for a camera when fully pressing the shutter button
Sony DSC-W170

Canon G12

Canon 5D MKII


However when preparing the camera to take a shot by pressing the shutter button half way and then fully pressing it to take the shot, the cars are still in the middle of the photo.  



Instant improvements simply by pressing the button half way to prepare the camera
Sony DSC-W170
Canon G12
Canon 5D MKII



Pressing the shutter button half way takes a little practice, but once you’ve mastered it, it will become second nature for you. Two common reasons for using this technique are (1) to focus on a subject and then recompose the photo and (2) to pre-focus on a spot whilst waiting for the subject to go past.  Both of these are covered in more detail later in this series.





Auto focus systems - blazing fast focusing to help you get your shot

Cameras nowadays have an amazing ability to help you accurately focus in an incredibly short time.  Although manual focus definitely still does have a place in photography, most of the time you’ll use the camera in auto focus mode.  All modern cameras, both DSLR and Compact cameras, have a number of different autofocus modes that can be used to handle two basic different situations – focus on a subject that isn’t moving and focus on a subject that is moving.
Auto focus systems in modern day cameras are great in focusing in difficult situations.

Many people leave their camera in the default auto focus mode, mainly due to lack of understanding what the other modes do.  Here’s a brief explanation of different types of modes.  Each camera will have different names for different modes and you’ll need to refer to the manual (no that’s not a dirty word) to see how to select the autofocus mode in your camera and the correct name for the different types referenced below:

FlexiZone / One Shot / AF-S / AF.S / S-AF – This is the default mode for many cameras and my personal favorite for most of my photography. Best used for static objects in pictures and uses a defined area or focal point on your picture, normally the center, where the camera will focus on.  Often the focal point can be moved around the screen using either a menu option or via a button on the camera. Personally I find it quicker to leave the focal point in the center and focus on the subject, press the shutter button half way to lock the focus and then while keeping the shutter pressed half way move the camera to recompose my photo before fully pressing the shutter button to take the shot.

Once you press the shutter button half way the focus will lock onto the target within the focus area/point until you take the shot or release the shutter button.  This is great when focusing on a static subject as it allows you to recompose the shot whilst keeping the shutter button semi depressed without losing focus on the subject.

Face detect – As the name suggests the camera’s autofocus system will look for human faces (or something that looks like a human face ) and lock onto it.  It will track the face if it moves around the screen.  Once you press the shutter button half way it will lock the focus on the face and will not continue to track the face if they continue to move.  This is obviously great for using with people.  With groups of people, the camera will try and select as many people as possible that are in focus, however the risk is that it may focus on the wrong person by mistake – but it doesn’t happen often.

Tracking or Predictive auto focus / AI Servo / AF-C / C-AF / AF.C – Tracks the subject that you focus on as they move towards or away from the camera until you take the shot.
Predictive auto focus can be useful when shooting fast moving subjects
 This could be a person, similar to the face detect mode, or it could be a moving object such as a car.  The important thing to remember in this mode is that you have to focus on the subject first by pressing the shutter button before the camera can start tracking.  Note the tracking is defined by the selected focus point in the viewfinder.

AI Focus / AF-A – On the Canon DSLRs this mode automatically switches between One Shot and AI Servo mode depending on if the camera senses movement.

Manual focus – I use manual focus in one of two scenarios (1) Macro photography along with a tripod because small movements can quickly throw the subject out of focus or can focus on the wrong part of the subject and (2) Low light photography when the camera finds it hard to automatically focus.
Manual focus is useful when shooting macro images


Changing the Auto Focus Method

Each camera is slightly different, but generally uses a menu to select the focus method

On the Canon 5D MKII the focus method is accessed via the AF button and then selecting one of the three options


The Canon G12 uses the menu button to go to the picture tab and then you scroll through the various options


The Sony DSC-W170 also use the menu button to access the focus method, in this case it only has face detect with a few variations to prioritize children’s or adult’s faces.





Pre-Focus


One technique that’s useful when taking pictures of fast moving objects is called “pre-focus”.  Pre-focus is where you focus on a spot where the subject you are shooting is going to pass so that you are ready to take the shot when the subject appears.  Many sports photographers use this at sports events with fast moving subjects, e.g. car or bike racing, etc.

Figure 1: I focused manually on the place where the boarder was passing and then asked him to pass through the same spot







Figure 2: For this shot I had to have the model stand in the shot first and then take adjust the focus using a tripod.  After getting the focus right and putting the camera into manual focus mode the model was able to run and leap over the spot where had previously stood.




Coming up...
Next week we are going to look at:
  1. Understanding ISO - knowing the point between the good, the bad and the ugly when choosing a the speed of the film/sensor
  2. White Balance - Dealing with Colorcasts and knowing how to work the colorcast to your advatage.

Please feel free to leave comments or questions below or email them to me.


Monday, October 31, 2011

Photography for Non-Photographers: Part 1

Understanding Your Camera
By Peter Emmett © 2012

Introduction
It seems that wherever I go nowadays I’m surrounded by cameras, whether it’s at work, shopping or traveling overseas. Amazingly people seem to be equipped with not just one, but multiple devices to take pictures, from phones to iPads to compact cameras to full digital single lens reflex (DSLR) cameras.  As I’ve watched these people over the years, I have come to realize that many people seem to struggle with two things (1) they don’t really understand how their camera works so they leave it on automatic mode hoping for the best and (2) they’re not aware of some of the fundamentals of photography that make the difference between a bad or average photo and a good one.

I have previously written a short series of articles called “Using a compact camera creatively...A free online photography course” which focused on helping people create better photos using a handful of tips.  The basic premise of that series was to help people move from being “point & shoot” users creating typical average photos to “point, think & shoot” and eventually “think, point, think & shoot” in order to create great & interesting photos.

The problem with ‘point & shoot’ without the ‘think’ is that it produces very average photos, which typically leave the viewer look for a good excuse to get busy doing something else.  Armed with some basics, a novice photographer can easily start thinking on the fly to produce shots which engage people rather than turn them off.

This more extensive series aims to take this thinking to the next level and help you begin a life long journey of capturing moments that will last forever and enable you to express yourselves creatively through the photos you take. Most of the material from the previous series is included in this series with additional detail, however this series aims to help the user to “understand, think, point, think & shoot”
 
Getting to know your camera is the starting point of your journey towards
taking better photographs and moving away from taking snap shots

Digital cameras nowadays, no matter what you have, are extremely sophisticated and designed to allow you to take great shots.  In fact, most cameras are so sophisticated that people read the first pages of the manual called “getting started” and get so overwhelmed that they end up putting their cameras in “auto” mode and leaving it there. This series aims to get you out of “auto” mode and enable you to become creative by answering your questions and allaying your fears about the technology you hold in your hands.




About this series...

Although this series is not supposed to be camera specific, I am limited to the cameras that I have on hand to demonstrate what I am trying to say.  I will try and be as camera agnostic as possible, but you will see my bias towards Canon cameras come through as this is what I use.


Where something is camera type specific I will note it clearly at the beginning. For example when I discuss interchangeable lenses or external flash units I will let you know that this is not applicable to the majority of compact cameras.


This is not supposed to be another manual and it is definitely not supposed to overwhelm you. Throughout the series I will call out easy to remember key points that will make taking photographs a pleasure and showing the photographs an exciting journey. In the end, as you work through this series and put into practice what you learn, I guarantee that you’ll be taking the greatest shots of your life.



Overview of the Camera’s Basic Controls

1. Shutter release
This button actually has two functions (1) prepares the camera to record the picture and (2) records the picture.  Everyone knows the second point – taking a photo.  Surprisingly far fewer people seem to know it’s other function to prepare to take a photo, which is accessed by pressing the button half way down. (see next section)
2. Mode dial
The exact use of this button is different for each camera, but the basic use is always the same.  It allows you to select how photos are captured and may include “scene” modes that are presets for certain types of photos, e.g. snow scene, night time scene, etc.


3. Built in flash
Both a curse and a blessing.  The range and usability of these flashes is limited to a few meters and facing the same direction as the camera – which sounds obvious, but the only look that these flashes tend to produce are the “driving license” or “Prison inmate” type of look.  When used with a bit of control though, these flashes can be used to enhance a photo – but still in a very limited way.



4. Hot shoe
All DSLR’s and now some compact cameras have the ability to attach an external flash to the camera which gives you a lot more versatility than just using the inbuilt flash. It’s important to buy a flash that is compatible with your camera; otherwise you’ll end up with just a pretty paperweight.


5. Menu button
This brings up the user menu on screen and gives you access to most of the camera’s functionality.  Unfortunately most manufacturers have another button called the function button (see below), which has additional or repetitive functions. To improve your control over your camera it’s important to know where to find certain functions – which will be covered in this series.


6. Function button
This brings up the functions screen that allows you to quickly change settings for taking photos, e.g. switch flash on or off, change ISO or White Balance, select picture taking mode, etc. It can easily be confused with the Menu button (see above)


7. Flash button
Usually found on cameras with built in flash units that pop-up when taking pictures.  This is needed when you want to override the camera and force the flash to pop up to use while taking a photo. On compact cameras the flash button gives you quick access to switch between flash on, flash off and flash auto mode.



8. LCD monitor
This is the nerve center between you and the digital camera where all operations are controlled and photos viewed before and after taking them


9. View finder
In DSLRs the viewfinder shows the photo you will take as seen through the lens and what will be included in the photo.  With compact cameras this may not exist and if it does normally shows a view from one side or on top of the camera rather than exactly what the lens sees.


10. Memory card slot
Nearly all-digital cameras have removable memory cards that are used to record your photos on.  You must buy memory cards compatible with your camera, e.g. Compact Flash, SD, SDHC, Sony Stick, etc.


11. Lens
This is the eye of the camera and is where light passes through and is focused onto the film or camera sensor.  You will often hear that a camera is only as good as the lens that it has, which is generally true, but a great camera with a great lens in the hands of an average photographer will still only produce average photos, therefore my suggestion is to work on getting the most out of the camera you’ve got before you think about upgrading anything.





Buttons I don’t use

Each camera has some buttons which seem to waste space on a camera. Fortunately camera manufacturers do seem to learn from their mistakes and more often than not these buttons don’t make it onto the next versions of their cameras.
  • Depth of field preview button (DSLR only) - it’s supposed to allow you to see if everything is in focus. When film was used it made sense, but not with digital when you can preview the images on screen
  • Slideshow - allows you to have a slideshow on your camera, which is pretty pointless
  • Print - I always edit my images before printing and have never used this feature
  • Jump - found on my Canon EOS 30D to jump through multiple pictures at one time.


Coming up...

Next week we are going to look at:
  1. Using the Shutter Button - What they didn’t tell you and why it will make such a immediate impact to your photographs
  2. Autofocus systems - blazing fast focusing to help you get your shot - you just need to know how to use it

Please feel free to leave comments or questions below or email them to me.


Saturday, November 20, 2010

A Practical Guide to Working with Guide Numbers

Recently I've had a number of inquiries about the articles I wrote about Guide Numbers (in feet and in meters).
The embarrassing thing was that each time I had to re-read my own articles and work through the whole thing just to remind myself how it works.  More embarrassingly was that I couldn't figure it out straight away and had to take quite a bit of time to work it all out again.

So after listening to my readers (and getting frustrated with myself) I decided that I would write this article to make it easier how to use guide numbers - and the truth be told so that I don't have to work so hard next time I am asked how it works!

I think that looking at the calculations by themselves is what makes it confusing. It's better to put yourself into the situation and ask yourself what would you be doing in a real situation? So let me try to explain using this approach.


Situation 1
A person has asked you to do a portrait of them sitting on a chair. You have a camera (Canon 5D MKII) and a flash (Canon 580EX II) with a remote trigger and a light stand (but you forgot to bring your umbrella and soft box!).

The person doesn't have much time, who does nowadays? so you need to quickly set things up and fire away. You already know a few things.

1) You would like to have enough depth of focus to have the whole head in focus, so will use your 24-105mm lens at somewhere between 50-90mm depending on how much of their body they want to include. To get the right depth of focus you will use roughly F/7.1.

2) The other thing you know is that, as you do not have an umbrella or soft box, to get softer lighting you will use a fairly wide flash zoom, maybe 24mm or 28mm (you may also like to try a 35mm flash zoom).

3) Because it's indoors and relatively close you know that you'll probably use a 1/8 or 1/16th power. What you need to know now is how far your lights need to be away from the subject.


So now you know that:
a) You're using F/7.1 on your lens.
b) You will try first with a 24mm zoom on your flash head
c) You will use between 1/8th and 1/16th power

So now you do some calculations based on the calculation (D=GN/F : Distance (Flash to Subject in feet) equals the Guide Number divided by the F-Stop)


You look up the guide number (G/N) for 24mm flash coverage (zoom) and 1/8 power which you find is 32.5. To follow the formula you need to divide this G/N by your lens aperture 7.1 which gives you 4.5 feet. If you were to use 1/16th power the GN is 23 and for the same 7.1 lens aperture would give you the distance of 3.2 feet.



Situation 2
You have a small room where you want to photograph a bunch of items you want to sell on e-Bay. The room is small so you are limited to where you can place your lights. After placing the light in the room on the side of the table you measure the distance from the flash head to the place where you will position the items and find that the distance is 2.6 feet. Now you can calculate what settings you need for your flash and/or the F-stop setting for your camera.

For this you will use the calculations:
a) F*D=G/N : F-Stop by Distance (Flash to Subject in feet) equals the Guide Number.
b) F=GN/D : F-Stop equals the Guide Number divided by Distance (Flash to Subject in feet).

You're going to be using around an 80mm lens and you would like a fair depth of focus for the whole product. As your camera is quite close to the items being photographed you will choose an aperture of F/11 for good clarity.


So now you know that:
a) You're using F/11 on your lens
b) Your distance from flash to subject is 2.6 feet

So to get the guide number you multiply the F-Stop (11) with the Distance (2.6) which gives you a guide number of 28.6. Now you look up on the table in the white numbers for the closest number to 28.6. The closest you can find with be the flash coverage of 70mm with the flash output at 1/32 power (G/N=28.9).


Alternately you could think about moving the lights closer to 2 feet which would give you a G/N of 22 (2 * 11) which would give you some options of 35mm @ 1/32 or 24mm @ 1/16.



Say you weren't concerned about the F-Stop number so much but you knew that you wanted to have fairly hard shadows so wanted to have a narrow flash coverage say 105mm and you decided you would use 1/8th power. Now you would have to calculate what F-Stop you would need to set on your lens.

So now you know that:
a) Your distance from flash to subject is 2.6 feet
b) Your G/N number is 67.3 (105 mm with 1/8th power)



Your camera F-Stop would therefore be 67.3 divided by 2.6, which would give you an F/Stop of F/25 (or F/22 which is the closest one).

You may then decide that you don't want to use such a high f-stop, but you still want to use 105mm flash zoom. Your only option is to use a lower flash output, maybe 1/32. The G/N number for those settings is now 33.8. So now your F-stop would be 33.8 (G/N) divided by 2.6 (Distance) which would be 13 (or F/11).


Obviously these things are averages and you will need to make minor adjustments to get the exposure right. Remember that these settings are good for finding a good starting point, which you can then adjustment from.

The last table I created helps you to change the guide number based on if you use a light modifier or you change the ISO settings.


If you were to add a shoot through umbrella you will need to multiply the G/N by 0.5 before you use it in the calculations.


In the previous example above the G/N for 105mm flash coverage at 1/8 power with a shoot through umbrella becomes 67.3 multiplied by 0.5 which equals 33.65.



So now your F-stop would be 33.65 (G/N) divided by 2.6 (Distance) which would be 12.9 (or F/11).

Well that wraps up this post.  I hope that the examples above help to make more sense of how to use guide numbers.

Please feel free to leave comments or questions below or email them to me.